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Mark Fresolone's avatar

This is so helpful! Bringing dimensions of intention, emotion and tension together with crisp, moulded dialog; listening more carefully. Thank you!

BTW, you cite one of the most haunting films I know in Ripley (and for which a hat-tip goes to Sinéad’s disturbing lullaby), those very lines part of the accumulating menace. Gulp!

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Emma Darwin's avatar

Thank you for this, Sanjida! Super-useful and I'll be sending students over!

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Sanjida Kay's avatar

Thank you Emma!

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Sanjida Kay's avatar

Incidentally, writing good dialogue isn't just for fiction. I'm reading 'Is a River Alive?' by Robert Macfarlane and his dialogue is an excellent example of how to a) differentiate between different voices, b) move the story forward, and c) has and does all the things mentioned above - it's natural yet polished, it's purposeful, and there's subtext. It's also often informative and funny.

For example:

'Well, duh, that's going to be a short book then, Dad, because the answer is yes!'

'Rob! Wooo-hooo! Come here—Xylaria! look at those thin black fingers.'

'Why the hell aren't you in rubber boots like I told you? Get to the hosepipe and wash the filth off.'

'The name of that spirit translates as "Seven Penises".'

🌟 🍄

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